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1959 comedy motion-picture show directed by Billy Wilder

Some Similar It Hot
Some Like It Hot (1959 poster).png

Theatrical release poster by Macario Gómez Quibus[1]

Directed by Billy Wilder
Screenplay by
  • Billy Wilder
  • I. A. L. Diamond
Story by
  • Robert Thoeren
  • Michael Logan
Produced by Billy Wilder
Starring
  • Marilyn Monroe
  • Tony Curtis
  • Jack Lemmon
  • George Raft
  • Joe Due east. Brown
  • Pat O'Brien
Cinematography Charles Lang
Edited past Arthur P. Schmidt
Music by Adolph Deutsch

Production
visitor

Mirisch Visitor
Distributed by United Artists

Release appointment
  • March 29, 1959 (1959-03-29)

Running time

 121 minutes
Country The states
Language English
Upkeep $2.9 million[2]
Box office $49 meg[2]

Some Similar It Hot is a 1959 American romantic comedy picture directed, produced and co-written by Baton Wilder. It stars Marilyn Monroe, Tony Curtis and Jack Lemmon, with George Raft, Pat O'Brien, Joe E. Chocolate-brown, Joan Shawlee, Grace Lee Whitney and Nehemiah Persoff in supporting roles. The screenplay past Wilder and I. A. L. Diamond is based on a screenplay by Robert Thoeren and Michael Logan from the 1935 French film Fanfare of Love. The film is near 2 musicians who disguise themselves by dressing every bit women in order to escape from mafia gangsters whom they witnessed committing a crime.

Some Similar It Hot opened to critical and commercial success and is considered to be ane of the greatest films of all time. The film received six Academy Award nominations, including All-time Actor, All-time Director and Best Adapted Screenplay, winning for Best Costume Design. In 1989, the Library of Congress selected information technology as i of the get-go 25 films for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant".[3] [four]

The film was produced without approval from the Film Production Code (Hays Lawmaking), considering it features LGBT-related themes, including cross-dressing. The code had been gradually weakening in its telescopic since the early 1950s, due to greater social tolerance for previously taboo topics in motion-picture show, merely information technology was still officially enforced until the mid-1960s. The overwhelming success of Some Similar It Hot is considered one of the reasons behind the replacement of the Hays Code.[2]

Plot [edit]

In Feb 1929, in Prohibition-era Chicago, Joe is a jazz saxophone player and an irresponsible, impulsive ladies' human being; his anxious friend Jerry is a jazz double bass player. They work in a speakeasy owned by gangster "Spats" Colombo. Tipped off by informant "Toothpick" Charlie, the police raid the articulation. Joe and Jerry escape, simply subsequently accidentally witness Spats and his henchmen gunning down "Toothpick" and his gang in revenge (inspired by the real-life Saint Valentine'southward Twenty-four hours Massacre).[ citation needed ] Spats and his gang see them every bit they flee. Bankrupt, terrified, and desperate to go out of boondocks, Joe and Jerry disguise themselves as women named Josephine and Daphne and then they can join Sweet Sue and her Lodge Syncopators, an all-female band headed (by railroad train) to Miami. On the railroad train Joe and Jerry befriend Sugar Kane, the ring's vocalist and ukulele histrion.

Joe and Jerry become obsessed with Saccharide and compete for her affection while maintaining their disguises. Carbohydrate confides to "Josephine" that she has sworn off male saxophone players, who have taken advantage of her in the past. She hopes to find a gentle, bespectacled millionaire in Florida. During the forbidden drinking and partying on the train, "Josephine" and "Daphne" get close friends with Saccharide, and struggle to recollect that they are supposed to be girls and cannot make passes at her.

Once in Miami, Joe woos Sugar by bold a second disguise as millionaire Junior, the heir to Crush Oil, while feigning indifference to her. An actual millionaire, the much-married aging mama'south-boy Osgood Fielding III, persistently pursues "Daphne", whose refusals just increase his appetite. He invites "her" for a champagne supper on his yacht, New Caledonia. Joe convinces Jerry to keep Osgood occupied onshore so that "Inferior" tin can take Sugar to Osgood'southward yacht, and laissez passer it off as his own. One time on the yacht, "Inferior" tells Sugar that psychological trauma has left him impotent and frigid, but that he would marry anyone who could cure him. Carbohydrate tries to arouse him, with considerable success. Meanwhile, "Daphne" and Osgood dance the tango ("La Cumparsita") till dawn. When Joe and Jerry get dorsum to the hotel, Jerry announces that Osgood has proposed matrimony to "Daphne" and that he, equally Daphne, has accustomed, anticipating an instant divorce and huge cash settlement when his ruse is revealed. Joe convinces Jerry that he cannot actually marry Osgood.

The hotel hosts a conference for "Friends of Italian Opera", which is in fact a major meeting of the national crime syndicate, presided over by "Picayune Bonaparte". Spats and his gang recognize Joe and Jerry as the witnesses they have been looking for. Joe and Jerry, fearing for their lives, realize they must quit the band and leave the hotel. Joe conceals his charade from Sugar by telling her, over the telephone, that he, Inferior, must marry a woman of his father's choosing and move to Venezuela for financial reasons. Saccharide is distressed and heartbroken. Joe and Jerry evade Spats' men by hiding under a table at the syndicate banquet. "Piddling Bonaparte" has Spats and his men killed at the banquet; again, Joe and Jerry are witnesses and they flee through the hotel. Joe, dressed as Josephine, sees Sugar onstage singing a lament to lost love. He runs onto the platform and kisses her, causing Saccharide to realize that Josephine and Junior are the same person.

Jerry persuades Osgood to take "Daphne" and "Josephine" abroad on his yacht. Sugar runs from the stage at the finish of her operation and jumps aboard Osgood'south launch just as it is leaving the dock with Joe, Jerry, and Osgood. Joe confesses his deception to Saccharide and tells her that he is not good enough for her, simply Saccharide wants him anyway. Meanwhile, Jerry tries to get out of his promise to marry Osgood, past listing reasons why "Daphne" and Osgood cannot marry, ranging from a smoking habit to infertility. Osgood dismisses them all; he loves Daphne and is determined to go through with the matrimony. Exasperated, Jerry removes his wig and snaps, "I'thou a man!" Osgood, unfazed, replies: "Well, nobody's perfect." Jerry, nonplussed, tries to digest this.

Cast [edit]

Tony Curtis and Marilyn Monroe in Some Like It Hot

  • Marilyn Monroe as Sugar "Kane" Kowalczyk, a ukulele player and singer
  • Tony Curtis as Joe/"Josephine"/"Shell Oil Junior", a saxophone player
  • Jack Lemmon as Jerry (Gerald)/"Daphne", a double bass player
  • George Raft every bit "Spats" Colombo, a mobster from Chicago
  • Pat O'Brien as Agent Mulligan
  • Joe E. Brown every bit Osgood Fielding III
  • Nehemiah Persoff every bit "Piddling Bonaparte", a mobster
  • Joan Shawlee as Sweetness Sue, the bandleader of "Sweet Sue and Her Gild Syncopators"
  • Dave Barry as Mister Bienstock, the ring manager for "Sugariness Sue and Her Society Syncopators"
  • Billy Gray every bit Sig Poliakoff, Joe and Jerry's agent in Chicago
  • Barbara Drew as Nellie Weinmeyer, Poliakoff's secretarial assistant
  • Grace Lee Whitney as Rosella (Fiddle)
  • George E. Stone as "Toothpick" Charlie, a gangster who is killed by "Spats" Colombo
  • Mike Mazurki as Spats' henchman
  • Harry Wilson equally Spats' henchman
  • Edward G. Robinson Jr. as Johnny Paradise, a gangster who kills "Spats" Colombo
  • Beverly Wills as Dolores, a trombone player, and Saccharide'south apartment friend
  • Al Breneman equally the attendant (uncredited)[5]

Soundtrack [edit]

Some Similar It Hot: Original MGM Motion Motion picture Soundtrack
Soundtrack album
Released 24 February 1998
Genre Soundtrack
Jazz
Length 32:22

The soundtrack features four songs performed by Marilyn Monroe, nine songs composed past Adolph Deutsch, besides every bit 2 songs performed by jazz artist Matty Malneck.[6]

No. Title Length
1. "Runnin' Wild" (Marilyn Monroe) 1:07
ii. "Medley: Sugar Dejection/Running Wild" (Adolph Deutsch & His Orchestra) 1:32
iii. "Downward Among the Sheltering Palms" (Adolph Deutsch & His Orchestra) i:59
4. "Randolph Street Rag" (Adolph Deutsch) 1:28
five. "I Wanna Be Loved By You" (Marilyn Monroe) 2:58
6. "Park Avenue Fantasy" (Adolph Deutsch & His Orchestra) 3:34
7. "Medley: Down Among the Sheltering Palms / La Cumparsita / I Wanna Be Loved Past You lot" (Adolph Deutsch & His Orchestra) 2:20
8. "I'm Thru With Love" (Marilyn Monroe) 2:34
9. "Medley: Sugar Blues / Tell the Whole Damn World" (Adolph Deutsch & His Orchestra) three:25
10. "Play It Once more Charlie" (Adolph Deutsch) 1:49
11. "Sweet Georgia Brown" (Matty Malneck & His Orchestra) ii:57
12. "By the Beautiful Body of water" (Adolph Deutsch & His Orchestra) 1:22
thirteen. "Park Avenue Fantasy (Reprise)" (Adolph Deutsch & His Orchestra) 2:10
14. "Some Like It Hot" (Matty Malneck & His Orchestra) 1:46
15. "Some Like It Hot (Unmarried Version)" (Marilyn Monroe) i:21
Total length: 32:22

Production [edit]

Pre-product [edit]

Billy Wilder wrote the script for the film with author I.A.Fifty. Diamond.[7] The plot was based on a screenplay by Robert Thoeren and Michael Logan for the 1935 French moving-picture show Fanfare of Beloved.[8] The original script for Fanfare of Love was untraceable, then Walter Mirisch found a re-create of the 1951 German remake, Fanfares of Love. He bought the rights to that script, and Wilder worked with this to produce a new story.[eight] Both films follow the story of two musicians in search of work,[vii] but Wilder created the gangster subplot that keeps the musicians on the run.[nine]

The studio hired female impersonator Barbette to motorcoach Lemmon and Curtis on gender illusion for the film.[8] Monroe worked for x pct of the gross in excess of $4 million, Curtis for 5 percentage of the gross over $ii million, and Wilder for 17.5 percent of the first 1000000 after intermission-fifty-fifty and 20 percent thereafter.[10]

Casting [edit]

Tony Curtis was spotted by Billy Wilder while he was making the film Houdini (1953),[11] and he thought Curtis would be perfect for the role of Joe. "I was certain Tony was right for it," explained Wilder, "considering he was quite handsome, and when he tells Marilyn that he is ane of the Shell Oil family unit, she has to be able to believe it".[12] Wilder's outset idea for the role of Jerry was Frank Sinatra, only he did not come to the audience.[13] Jerry Lewis and Danny Kaye were also considered for the office of Jerry. Finally, Wilder saw Jack Lemmon in the comedy Operation Mad Ball [fourteen] and selected him for the part. Wilder and Lemmon would get on to make numerous films together, including The Apartment and several films which also included Walter Matthau.

Co-ordinate to York Motion-picture show Notes, Billy Wilder and I.A.L. Diamond did not look a star every bit large as Marilyn Monroe to take the part of Sugar.[7] "Mitzi Gaynor was who nosotros had in mind," Wilder said. "The word came that Marilyn wanted the part and and so nosotros had to have Marilyn."[fifteen] Wilder and Monroe had made the film The 7 Year Itch together in 1955.

It was George Raft'southward get-go "A" picture in a number of years.[xvi]

Filming [edit]

The picture was made in California during the summer and autumn of 1958.[17] AFI reported the production dates between early August and November 12, 1958, at Samuel Goldwyn Studios.[eighteen] Many scenes were shot at the Hotel del Coronado in Coronado, California which appeared every bit the "Seminole Ritz Hotel" in Miami in the film, as it fit into the era of the 1920s and was nigh Hollywood.

There were many problems with Marilyn Monroe, who lacked concentration and suffered from an addiction to pills. She was constantly late to set, and could not memorize many of her lines, averaging 35–twoscore takes for a single line according to Tony Curtis.[19] The line "Information technology's me, Sugar" took 47 takes to get correct considering Monroe kept getting the give-and-take club wrong, proverb either "Carbohydrate, it'southward me" or "It's Sugar, me". Tony Curtis and Jack Lemmon made bets during the filming on how many takes she would need to get it right.[20] Three days were scheduled for shooting the scene with Shell Jr. and Saccharide at the embankment, every bit Monroe had many complicated lines, merely the scene was finished in but 20 minutes.[21] Monroe'southward interim charabanc Paula Strasberg and Monroe'southward husband Arthur Miller both tried to influence the production, which Wilder and other crew members found abrasive.[22] [23]

Billy Wilder spoke in 1959 about making another film with Monroe: "I accept discussed this with my doctor and my psychiatrist and they tell me I'k as well old and too rich to go through this once more."[24] But Wilder also admitted: "My Aunt Minnie would always be punctual and never concur upwards production, simply who would pay to see my Aunt Minnie?"[25] He too stated that Monroe played her part wonderfully.[26]

The moving picture'southward iconic endmost line, "Nobody's perfect," is ranked 78th on The Hollywood Reporter listing of Hollywood'southward 100 Favorite Flick Lines, but it was never supposed to be in the last cut. Diamond and Wilder put it in the script as a "placeholder" until they could come up up with something better, but they never did.[27]

Fashion [edit]

With regards to audio design, in that location is a "stiff musical element"[7] in the flick, with the soundtrack created by Adolph Deutsch. Information technology has an authentic 1920s jazz feel using abrupt, brassy strings to create tension in sure moments, for instance whenever Spats' gangsters announced. In terms of cinematography and aesthetics, Billy Wilder chose to shoot the film in blackness and white as Jack Lemmon and Tony Curtis in full drag costume and make-upwards looked "unacceptably grotesque" in early color tests.[seven] Despite Monroe'due south contract requiring the film to be in colour, she agreed to information technology beingness filmed in black and white after seeing that Curtis and Lemmon's makeup gave them a "ghoulish" advent on color film.[28] Orry-Kelly who was in accuse of costume pattern created the costumes for Marilyn Monroe[29] [thirty] as well as Jack Lemmon and Tony Curtis,[31] after the stock costumes the studio provided for the male leads fit poorly.

Reception [edit]

Box role [edit]

Past 1962, Some Like It Hot had grossed $xiv 1000000 in the US.[32] According to The Numbers, the film ultimately grossed $25 1000000 in the US.[33] As of 2020, it had grossed over $83.ii million internationally.[34]

The film opened in the week ended March 24, 1959, in several cities in the United States; the highest grossing of which were in Chicago, where it grossed $45,000 at the United Artists Theatre with Monroe making an appearance, and in Washington, D.C., where it grossed $40,000 at the Capitol Theatre.[35] [36] With results from just six fundamental cities, Variety listed information technology as the 3rd highest-grossing motion-picture show in the United States for the week.[37]

The film then expanded to 100 theatres effectually the state for the Easter holidays,[38] including at the newly renovated Country Theatre in New York City on Sun, March 29, 1959,[eighteen] [39] and became number i in the country and remained there for three weeks before beingness knocked off the top past Imitation of Life.[40] False of Life was top for two weeks before being replaced again by Some Like It Hot,[41] which remained at that place for some other iv weeks before existence replaced by Pork Chop Hill.[42] In its first calendar month, the film grossed $2,585,120 from 96 engagements.[43]

Critical response [edit]

Some Like It Hot received widespread acclamation from critics, and is considered amongst the best films of all time. On review aggregator Rotten Tomatoes, 94% of 66 critics take given the film a positive review, with an average rating of 9.1/ten. The website'due south critical consensus reads, "Some Like Information technology Hot: A spry, quick-witted farce that never drags."[44] Co-ordinate to Metacritic, another review aggregator which calculated a weighted average score of 98 out of 100 based on 19 critics, the movie received "universal acclamation".[45] Chicago Lord's day-Times 's Roger Ebert wrote, "Wilder's 1959 comedy is i of the enduring treasures of the movies, a picture of inspiration and meticulous craft."[46] Ebert gave the film four stars out of four and included it in his Great Movies list.[46] John McCarten of The New Yorker referred to the movie as "a jolly, carefree enterprise".[47] Richard Roud, writing for The Guardian in 1967, said with this film Wilder comes "close to perfection".[48]

In 1989, this movie became ane of the outset 25 inducted into the United States National Movie Registry.[49] In 1998 the film was ranked at No. 7 in Time Out magazine's poll of Acme 100 films of all time. [50] In 1999 Amusement Weekly voted information technology at No. 9 on their list of 100 Greatest Movies of All Time.[51]

Some Like Information technology Hot was voted every bit the peak comedy film by the American Film Plant on their list on AFI's 100 Years...100 Laughs poll in 2000, and was selected as the best comedy of all time in a poll of 253 motion picture critics from 52 countries conducted by the BBC in 2017.[52] In 2005, the British Film Institute included this flick on its list of "Top fifty films for children upwardly to the age of xiv".[53] In the 2012 Sight & Sound polls, it was ranked the 42nd-greatest film ever made in the critics' poll[54] and 37th in the directors' poll.[55] In the before 2002 Sight & Audio polls the film ranked 37th among critics[56] and 24th amidst directors.[57] In 2010, The Guardian considered information technology the 3rd-best one-act film of all time.[58] In 2015, the film ranked 30th on BBC'southward "100 Greatest American Films" list, voted on by motion picture critics from around the world.[59] It was included in The New York Times 's "The Best 1,000 Movies Always Made" list in 2002.[60] In 2005, information technology was included on Time 'south All-time 100 best movies list.[61] The film was voted at No. 52 on the list of "100 Greatest Films" past the prominent French magazine Cahiers du cinéma in 2008.[62] In July 2018, it was selected to be screened in the Venice Classics department at the 75th Venice International Film Festival.[63]

Awards and honors [edit]

Date of anniversary Laurels Category Recipients and nominees Upshot
Baronial 23 – September half-dozen, 1959[64] Venice Picture Festival Golden Lion Some Like It Hot Nominated
December 1959[65] [66] National Board of Review Awards Tiptop Ten Films Some Like Information technology Hot Won
February 6, 1960[67] [68] Directors Society of America Honour Outstanding Achievement in Feature Picture show Billy Wilder Nominated
1960[69] British Academy Film Awards Best Pic from any Source Some Similar It Hot Nominated
Best Foreign Actor Jack Lemmon Won
March ten, 1960[70] [71] Aureate Globe Awards Best Actor in a Motility Picture – Comedy or Musical Jack Lemmon Won
Best Actress in a Move Picture – Comedy or Musical Marilyn Monroe Won
Best Motion picture – Musical or One-act Some Similar It Hot Won
April 4, 1960[72] Academy Awards Best Manager Billy Wilder Nominated
Best Thespian Jack Lemmon Nominated
All-time Adapted Screenplay Baton Wilder, I. A. 50. Diamond Nominated
Best Cinematography – Black-and-white Charles Lang Nominated
Best Art Management – Black-and-white Ted Haworth (Fine art Direction), Edward K. Boyle (Set Decoration) Nominated
All-time Costume Design—Blackness and white Orry-Kelly Won
May vi, 1960[73] [74] Writers Gild of America Awards Best Written Comedy Baton Wilder, I.A.L. Diamond Won
September 28, 1960[75] Laurel Awards Meridian Female person Comedy Performance Marilyn Monroe (second place) Won
Acme Male Comedy Performance Jack Lemmon (2nd place) Won
Acme Comedy Some Like Information technology Hot (third place) Won
1960[75] [76] Bambi Awards Best Histrion—International Tony Curtis (2nd place) Nominated

The film is recognized by American Movie Institute in these lists:

  • 1998: AFI'southward 100 Years...100 Movies – #fourteen[77]
  • 2000: AFI'south 100 Years...100 Laughs – #1[78] [79]
  • 2005: AFI's 100 Years...100 Movie Quotes:
    • Osgood Fielding Iii: "Well, nobody'southward perfect." – #48[lxxx]
  • 2007: AFI'south 100 Years...100 Movies (10th Anniversary Edition) – #22[81]

The flick was inducted in 1989 into the National Film Registry by the Library of Congress.[82] The Writers Guild of America ranked the picture's screenplay the 9th greatest ever written.[83]

Adaptations [edit]

An unsold television airplane pilot was filmed past Mirisch Productions in 1961 featuring Vic Damone and Tina Louise. Every bit a favor to the production visitor, Jack Lemmon and Tony Curtis agreed to film cameo appearances, returning as their original characters, Daphne and Josephine, at the commencement of the pilot. Their appearance sees them in a hospital where Jerry (Lemmon) is beingness treated for his impacted back tooth and Joe (Curtis) is the same O blood type.[84]

In 1972, a musical play based on the screenplay of the film, entitled Sugar, opened on Broadway starring Elaine Joyce, Robert Morse, Tony Roberts and Cyril Ritchard, with book by Peter Stone, lyrics past Bob Merrill, and (all-new) music past Jule Styne.[85] In 1975 a Bollywood remake of this motion-picture show was released as Rafoo Chakkar. A 1984 stage production at the Claridge Hotel & Casino in Atlantic Urban center, New Jersey, starred Joe Namath equally Joe.[86] A 1991 stage production of this show in London featured Tommy Steele and retained the motion picture's championship.[87] Tony Curtis, then in his late 70s, performed in a 2002 stage production of the film, this fourth dimension cast as Osgood Fielding Three, the graphic symbol originally played by Joe E. Chocolate-brown.[88] [89]

On 5 January 2019, Marc Shaiman and Scott Wittman in an interview with Graham Norton on BBC Radio 2 confirmed a new updated version is being written with themselves writing the music. The version had aimed for a Broadway release in 2020, but was delayed past the COVID-19 pandemic.[90] [91]

On xx April 2022, the revival was confirmed to star Christian Borle at the Shubert Theatre with previews beginning 1 November 2022.[92]

See also [edit]

  • List of American films of 1959
  • Cantankerous-dressing in film and idiot box
  • List of films considered the best

References [edit]

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Further reading [edit]

  • Curtis, Tony. The Making of Some Like It Hot, Wiley & Sons, Hoboken NJ, 2009. ISBN 978-0-470-53721-3.
  • Maslon, Laurence. Some Like Information technology Hot: The Official 50th Anniversary Companion, New York, HarperCollins, 2009. ISBN 978-0-06-176123-2.

External links [edit]

  • Some Like It Hot essay [ane] by David Eldridge at National Moving-picture show Registry
  • Some Like It Hot essay [ii] by Danel Eagan in America's Film Legacy: The Administrative Guide to the Landmark Movies in the National Film Registry, A&C Blackness, 2010 ISBN 0826429777, pp. 552–553
  • Some Similar It Hot at IMDb
  • Some Similar Information technology Hot at AllMovie
  • Some Like It Hot at the American Moving picture Constitute Catalog
  • Some Like Information technology Hot at the TCM Flick Database
  • Some Like It Hot at Rotten Tomatoes
  • Roger Ebert's review of Some Similar It Hot
  • Roger Hall'southward review of Adolph Deutsch'due south film score for Some Like Information technology Hot
  • Literature
  • Some Like It Hot: How to Have Fun an essay by Sam Wasson at the Criterion Drove

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